Have fun,
Andreas

The A-143-1 is the sound source, its mix out goes directly into the A-137-1, which is modulated by 4 LFOs from an A-143-3 Quad LFO. Until 1:40, I’m just playing around with the Wave Multiplier and its modulation. After this, I’m changing attack and decay settings on the A-143-1 as well. All A-143-1 units are in LFO mode.
There’s some reverb added, no filter, no VCA.
Andreas

Patch: three A-110s are mixed and then split into two signals: one is sent into an A-108 (24 dB lowpass output used) and then mixed with the other one in a polarizig mixer (here: A-138c). Original and filtered signal get opposite “polarizations” in the mixer (i.e. one signal is inverted).

Manual change of filter frequency - three times from low to high and back: without resonance, resonance at 50%, full resonance.

With increasing resonance, the inversion of the filtered signal will be reduced drastically, so in the end, you will have a simple mix of original and lowpass filtered signal.

Andreas

I start with an A-106-5 through an A-132-3 VCA. The VCA is set to maximum gain (i.e. constant amplification). When I increase the filter resonance, some noise will become more audible (made much louder here than it is in reality!), but no self-oscillation. Then I add filter frequency modulation by an A-140 and we can hear some nice things. Finally, the VCA is changed from constant amplification to being modulated by the same A-140.

This doesn’t work with an A-124 (Wasp), which will remain (nearly) silent even when modulated.

Andreas